![]() Then go to the SATURATION slider and reduce it to about -70 or -80.įinally, adjust the slider at the bottom until the full range of green has been eliminated from around your subject. In the properties window that opens up, you will want to change MASTER to GREENS. The goal is to isolate the green halo and desaturate it out of the image. To do that, we are going to add a HUE/SATURATION layer from our ADJUSTMENTS tab. To shave off the next 1% of the green screen in our master image, we want to eliminate the green halo around our subject. I notice immediately there is now a halo around my subject, and if I zoom in, I can also see green spill in the hair and beard as well. Looks pretty good now, right? If we want to make sure there is no more green, a good trick is to create a new layer and make it black behind your master image. Now your master image will show a dotted line selection around your green screened area. Then, go back over your master image and keep clicking in the different color ranges of the green screen until you see your color range icon turn white in the appropriate areas. In order to select the rest of the green screen, choose the eyedropper + icon below the save button in the color range window. Your icon in the color range window will change a bit, but will still show some gray or black in the green screen area that still needs to be added to your color range selection. At this point, you will want to simply take your eye dropper tool and click on the green screen in your master image. If you pan your mouse over the master image, you will also notice you have an eye dropper tool. You will now have a new window that allows adjustments, along with a white icon of your master image (the white shows what color is being isolated and selected, whereas the black is being ignored). To first get rid of the bulk 98% of the green screen in your image using Photoshop CC, you will want to go to SELECT > COLOR RANGE. Refine with White Matte Reduction (clean up remaining green spill).Adjust Hue Saturation (to remove the green halo). ![]() Color Range Selection (to get rid of the bulk of the green screen).I am going to show you how you can overcome these hurdles in three simple steps using Photoshop CC. Two major issues to resolve are the green halo around a person or object, or the dreaded green spill in a person’s hair. The biggest obstacle of most editors throughout this process is finessing the image to eliminate all of the green. You can find more Photoshop Elements guides on our dedicated photo editing section on LensVid.As an editor there will be times that you receive green screen footage that needs to be keyed out and retouched in some fashion. We have covered green screens many times in the past (mostly for video) and you can find a few articles we published on this topic – here. Finally you can add any background either by adding something which is pre built into Photoshop Elements or better yet bring your own background image. ![]() This might work a bit better but like in the sample image Gager plays with in this video it will not necessarily do a perfect job.īy adding a hue-saturation adjustment layer and reducing the saturation of the green you can improve the effect. Of course there might be areas (like hair) which will not be fully erased so you might need to play with the tolerance slider to get the best results for your specific level. Gager suggest using the magic eraser which can delete all of the color that you click on. ![]() In any case – if you are using a green (or blue) screen for stills and want to replace the background with Photoshop Elements, this video is for you. In this case however the idea is to use green screen to more easily replace a background in a stills image (maybe this was shot on a set of a film or somebody wanted to have an easier time replacing the background to begin with (green is picked because it is very different than our skin and hair typically and it is a solid color (there is also a blue screen sometimes on sets). Green screen is typically used for video – the idea is simple you have a green fabric which is well (and separately) lit from the subject and in post production you replace this background with any background that you like (this is used a lot in broadcast but also in films). On this video Bob Gager, Group Product Manager for Photoshop Elements, demonstrates how to switch a green screen background for a stills image with a different background.
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