![]() Tool is another band that sounded better live despite having great sounding albums. I didn't think Judas Priest's Painkiller could sound better than it did on the album. Hearing Black Sabbath live for The End tour blew me away. I have heard live performances that stunned me compared to the recordings. And I can hold my phone up to the tv screen while watching the video, so its just like being at a real show. I can watch a music video and stay home if thats all I am after. But it doesnt have to be exactly like the record. Not much room for "Art" in that mindset.Ī sloppy lame live version of a song? Of course I dont want to hear that. ![]() Maybe today, music is just another product, and if it isnt super perfect and shiny sounding just like the recording, it is rejected as inferior. Of course Bowie picked players who could do that. Don't do that." He wanted Reeves to go hog wild and play like an artist, not a juke box. In fact, Reeves Gabrels (Bowie's guitarist/music director from '89 to '99) says when he and Bowie and the Sales brothers were playing Tin Machine shows, Bowie said to him "I noticed you sticking to the record with your solos. Then you have someone like Bowie, who could have had his band play EXACTLY like the records, but would never tell them to do that he probably would have dumped anybody who played like that. People that say this seem to think they are uncovering fraud, like someone lip synching secretly, or just having no real talent to deploy on stage.ĭo they not realize that even Jimi Page could not play his own songs live "exactly like the record"? For various reasons, #1 being he has only two hands, and each song on Zep albums has more than one guitar track (usually). You’ll be up a quarter step in seconds and ready for crushing metal).I have heard this said by a few people, who have decided that if a band/performer does not play the song at the live show so it sounds EXACTLY like the recording, that means they lack the "skill" to do so, and they must have benefited from studio "tricks" that made the record sound good, that they cannot use on stage apparently. (Of course, if you want to play along to the studio version, Roadie’s tuning presets makes it a breeze. Second is that the guitars are actually tuned up a quarter step so that they match the pitch of the tolling bells. First is that the band intentionally sped up the recording, pitch shifting it in the process. But, as the Metallica Wiki notes, there are two theories. That’s because the song is a quarter step above standard tuning. With the song turning 35 this year, we thought it’d be fun to look back on the “Ride the Lightning” classic, with some lesser-known facts about the signature Metallica track.Įxplorers, Flying Vs, Marshall Stacks and Aria Basses at the ready headbangers, it’s about to get heavy! It’s in a Very Strange TuningĮver tried to play along to the studio version of “For Whom the Bell Tolls”? You’ve probably had some guitar tuning issues. And, if you’re serious about learning metal bass, it’s a must-have riff in your arsenal. Cliff Burton’s chromatic intro riff is a heavy metal masterclass. What’s the best bass riff of all time? Metallica’s “For Whom the Bell Tolls ” is certainly a contender.
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